Cyprus Pavilion

The Cyprus Pavilion Biennale Arte 2017


Cyprus Pavilion at the Venice Biennale
Associazione Culturale Spiazzi
The Future of Colour
Polys Peslikas
Preview: 10–12 May 2017
Curated by Jan Verwoert
Many Strangers
Thursday, 11. May 2017 | 7:30pm
Venue to be announced
Perform Readings:
Mirene Arsanios and Neoterismoi Toumazou
Friday, 12. May 2017 | 6pm
Saturday, 13. May 2017 | 11am
Special Guests: Mirene Arsanios,
Valentinos Charalambous, Neoterismoi Toumazou
Commissioner: Louli Michaelidou; Assistant Commissioner: Angela Skordi;
Exhibition: 13 May –26 Nov 2017
Castello 3865, 30122 Venice Italy

Polys PeslikasThe LandscapeWindow17.31.25.jpg


The Future of Colour
Polys Peslikas

Colour once was key to politics and trade in the Mediterranean. Fabric manufacturing, medicine, painting, and cosmetics alike depended on pigment supplies and colour binding agents like alum. Main alum resources lay in the Eastern Mediterranean. So Rome banned alum imports to curb Constantinople’s influence. Yet, despite the embargo, around 1500 the agent was still in circulation via the Venetian trade network that included Cyprus.

The Future of Colour takes this story as the point of departure for invoking the spirit of unstoppable exchange—in the key of living colour. Today’s political imagination seems to be stuck in apocalyptic scenarios of cultures at war (West vs. East). We rarely ask what it could mean for life to continue and our exchanges to create a future. Rejecting the false securities of catastrophic thought, the show pays homage to the vibrant insecurities of life and the trade of ideas via painting and its sister arts.


Polys Peslikas: The Landscape Window, 2015-2016
Oil on canvas mounted on board 160 x 112.5 cm

To defy the endgame is to grasp past and future, West and East, as a fluid continuum that invites movement. This is the challenge Polys Peslikas has set himself. His new paintings, shown in the pavilion, draw on fragments of historic imagery. Peslikas zooms in on details of Venetian paintings and modernist collages. He extracts colours, patterns, and ornaments that resonate across time. Mixing these ingredients, Peslikas performs an alchemy that liquefies time. A 500-year difference dissolves into the rhythm and rhyme of tonalities and textures. No occident, no orient, but an ocean of undulating forms, layered colours and differentiated details are brought together, here, to define the world.

In opening up the horizon of experience, Polys Peslikas’ paintings set the stage for hosting further artistic exchanges. A series of cartoonishly oversized newspapers provide the platform for these transactions, conducted by three parties invited as special guests:

Nicosia-based, internationally active, artist group Neoterismoi Toumazou (Maria Toumazou, Marina Xenofontos, Orestis Lazouras) are named after the local novelty shop once run by one of the member’s grandfather. Importing and exporting influences, Neoterismoi Toumazou trade in many languages: poetry, performance, design, music, and fashion. In her stories, Beirut born, New York-based writer Mirene Arsanios interlaces biographies and histories. Her new piece of writing, Elemental Language, finds her revisiting memories of Cyprus, where she briefly lived before returning to Beirut at the end of the civil war. Places and words, remembered from childhood, coalesce into one another; and the time is always now. Legendary ceramic artist from Famagusta, Valentinos Charalambous joins the conversation. Having travelled, made and taught art for decades, in Baghdad and Limassol, he has been an inspiration to many, with stories to tell and a love for the arts of ancient Egypt and Mesopotamia louder than bombs.

The show invokes the spirit of the Eastern Mediterranean as a zone where routes cross and travellers meet and trade in a poetic knowledge that may render past and future in fresh colours.


Polys Peslikas: The Second Variation, 2015-2016
Oil on canvas mounted on board 110 x 75 cm

Related events

Many Strangers
Thursday, May 11, 7:30pm
Venue to be announced

Neoterismoi Toumazou preside over this special event and set its theme: Many Strangers. The night will see the group’s associates Guy Gormley (Enchante) on decks and Patrick Cole and Polyxeni Savva making unique appearances.

Friday, May 12, 6pm
Saturday, May 13, 11am
The Cyprus Pavilion

During the opening days Mirene Arsanios and Neoterismoi Toumazou will perform readings of their writings in the exhibition space.

Polys Peslikas is a painter based in Berlin and Nicosia. He was born in 1973 in Limassol, where renowned ceramic artist Valentinos Charalambous lives and works, his open workshop having been a school to many. Born in Famagusta in 1929, Charalambous taught and practiced his art in Baghdad from 1957 till 1983. Beirut is where New York-based writer Mirene Arsanios was born in 1980. She is the author of The City Outside the Sentence (Ahskal Alwan 2015). Maria Toumazou, born 1989 in Nicosia, Marina Xenofontos, born 1988 in Limassol, and Orestis Lazouras, born 1994 in Nicosia, comprise artist group Neoterismoi Toumazou. Neoterismoi Toumazou do art, performance, poetry and fashion; they travel and run their own space on 69A Aischylou Street in Nicosia.

Commissioner: Louli Michaelidou; Assistant Commissioner: Angela Skordi; Communications Manager: Daniel Pies; Coordination & Production: Marina Christodoulidou Marika Ioannou; Andry Panayiotou; Publication editor: Federica Bueti; Exhibition design: Michael Anastassiades; Web design: Patricia Reed; Graphic design: Nienke Terpsma

The participation of the Republic of Cyprus at Biennale Arte 2017 is organised and sponsored by the Ministry of Education and Culture.

Saint Mamas (detail), 16th century. Egg tempera on wood, 66.5 x 51 cm. Byzantine Museum of the Archbishop Makarios III Foundation, Nicosia, Cyprus.
Instagram / Facebook / #cyprusinvenice2017


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